Never 1 to decide on a single tone or milieu, Jarmusch followed his 1995 acid western “Dead Gentleman” with this modestly budgeted but equally ambitious film about a dead person of the different kind; as tends to occur with contract killers — such since the a single Alain Delon played in Jean-Pierre Melville’s instructive “Le Samouraï” — poor Ghost Puppy soon finds himself being targeted via the same Males who keep his services. But Melville was hardly Jarmusch’s only supply of inspiration for this fin de siècle

Almost thirty years later (with a Broadway adaptation inside the works), “DDLJ” remains an indelible instant in Indian cinema. It told a poignant immigrant story with the message that heritage is not really lost even thousands of miles from home, as Raj and Simran honor their families and traditions while pursuing a forbidden love.

star Christopher Plummer gained an Oscar for his performance in this moving drama about a widowed father who finds love again after coming out in his 70s.

It doesn’t get more romantic than first love in picturesque Lombardo, Italy. Throw within an Oscar-nominated Timothée Chalamet being a gay teenager falling hard for Armie Hammer’s doctoral student, a dalliance with forbidden fruit and in a major supporting role, a peach, and also you’ve obtained amore

It’s hard to assume any of the ESPN’s “30 for thirty” series that define the fashionable sports documentary would have existed without Steve James’ seminal “Hoop Dreams,” a 5-year undertaking in which the filmmaker tracks the experiences of two African-American teens intent on joining the NBA.

Side-eyed for years before the film’s beguiling power began to more fully reveal itself (Kubrick’s swansong proving being every inch as mysterious and rich with meaning as “The Shining” or “2001: A Space Odyssey”), “Eyes Wide Shut” is actually a clenched sleepwalk through a swirl of overlapping dreamstates.

‘Lifeless Boy Detectives’ stars tease queer awakenings, preferred family & the demon shenanigans to come

Skip Ryan Murphy’s 2020 remake for Netflix and go straight to the original from fifty years before. The first film adaptation of Mart Crowley’s 1968 Off-Broadway play is notable for being one of many first American movies to revolve entirely around gay characters.

Tarr has never been an overtly political filmmaker (“Politics makes everything far too easy and primitive for me,” he told IndieWire japansex in 2019, insisting that he was more interested in “social instability” and “poor people who never had a chance”), but revisiting the hypnotic “Sátántangó” now that Hungary masonicboys suited hung older man pops cute twinks cherry is while in the thrall of another authoritarian leader demonstrates both the recursive arc of modern history, and also the full power of Tarr’s sinister parable.

this fantastical take on Elton John’s story doesn’t straight-clean its subject’s intercourse life. Pair it with 1998’s Velvet Goldmine

Dripping in radiant beauty by cinematographer Michael Ballhaus and Outdated Hollywood grandeur from composer Elmer Bernstein, “The Age of Innocence” above all leaves you with a feeling of sadness: not ass rimming and licking for just a previous gone by, like so many interval pieces, but for that opportunities left un-seized.

In “Odd Days,” the love-Unwell grifter Lenny Nero (Ralph Fiennes), who sells people’s memories for bio-VR escapism to the blackmarket, becomes embroiled in a vast conspiracy when one of his clients captures footage of a heinous crime – the murder of the Black political hip hop artist.

Maybe it’s fitting that a road movie — the ultimate road movie — exists in so many different iterations, each longer than the next, spliced together from other iterations that together develop a sense of the grand cohesive whole. There is beauty in its meandering quality, its focus not on the kind of end-of-the-world plotting that would have Gerard Butler foaming with the mouth, but to the comfort free sex of friends, lovers, family, acquaintances, and strangers just hanging out. —ES

Time seems to have bf sexy stood still in this place with its black-and-white Tv set established and rotary phone, a couple of lonely pumpjacks groaning outside giving the only noise or movement for miles. (A “Make America Great Again” sticker over the back of a defeat-up vehicle is vaguely amusing but seems gratuitous, and it shakes us from the film’s foggy mood.)